Isao Harimoto Menko Gallery

 

I've picked up a few more Isao Harimoto menko cards recently.  I'm a big Harimoto fan, for reasons I outlined in this post here so I won't repeat them.  Suffice it to say that he's one of Japan's greatest players of all time, holder of NPB's career hits record, and he has an incredible personal story.

His career coincided almost exactly with that of Sadaharu Oh (they both debuted in 1959 and Harimoto played his last game in 1981, just a year after Oh).  This means that most of the menko sets that have Oh cards also have Harimoto in them, as did all of the Calbee sets of the 1970s (though there are more Oh cards in those).  

Since his cards are way cheaper than Oh's, I'm still able to collect them which is cool, though they don't show up in auctions too often.  These ones I bought in a lot for about 5,000 Yen (like 35$).  The same seller had a lot of Sadaharu Oh menko that sold for 345,000 Yen (about 2500$) on the same day, so you can see why I've shifted away from collecting his early cards!

Some more Menko Discoveries

 

Another interesting recent pick up (from my guy in Hiroshima with the shampoo from the 70s) is this two card menko panel, featuring Hankyu Brave Akiteru Kono and Motoshi Fujita of the Yomiuri Giants.

This is from a very rare set that Engel catalogues as JCM 133, easily identified by the pictures of animals and the three digit number on the backs:

Engel gives these an R5 rating (fewer than 5 known copies of each in existence) and doesn't list a checklist since too few cards have been discovered.  The guide is also unclear about whether the set was released in 1956 or 1957.

I think the discovery of these cards clears up the latter question.  Fujita made his debut with the Giants in 1957, so the set most likely dates from that year rather than 1956.  

Kono was a speedy base runner who led the league in stolen bases three times  (1956, 1957 and 1962 with the Dragons) in a career that lasted from 1954 to 1967.

Fujita is a Hall of Famer, elected both based on his playing career (119-88, 2.20 career ERA) and his managerial career with the Giants in two stints, 1981 to 1983 and 1989 to 1992, each of which netted a Nippon Series championship.  

New 1947 JRM 56 Menko Discovery

 

I made another recent menko pick up (from the same seller where I got the cards in my previous post): four cards from the 1947 set Engel lists as JRM 56 ("Circle K", owing to the K in the circle.  This used to be the name of a convenience store chain in Japan but I think the two are unrelated).  

I was really interested in these due to their unique red/green/white color scheme which makes them quite distinctive from other menko sets of the time.  

These are among the rarest menko out there, Engel ranks them at R5 (less than 5 copies of each card known to exist) and only six cards from the set have been identified.

Three of the cards I have - Hideo Shimizu, Rentaro Imanishi and Hatsuo Kiyohara are already catalogued, but the fourth (the one at the top of this post) is not and is thus a "new find".  It features Tadayoshi Kajioka, a pitcher for the Tigers.  Kajioka was a star pitcher for several years in the late 40s and early 50s. In his rookie year in 1947, when this card was issued, he went 22-8 with a 1.92 ERA.  In his second year he would go 26-17 (meaning after just two years he had already won 48 games) and led the league in complete games with 35.  Overuse, plus the fact that due to the war he didn't make his pro debut until he was 27 years old, meant that his career only lasted 9 seasons, but he managed to squeeze an impressive 131 career victories into those years.  

Junk Hockey Comes to the Rescue, Unexpectedly

 

I stumbled across something interesting on Yahoo Japan Auctions a little while ago. There is a seller, not a guy who specializes in cards, who for some reason has an absolutely insane mountain of junk wax era (1990 to 1993 ish) hockey cards. It looks like a horde put together by some Canadian 30 years ago that somehow found its way to Japan.

Hockey isn’t big in Japan, so it kind of caught my eye. Why was this here? The cost of shipping tens of thousands of junk wax hockey cards to Japan is way more than the cards are worth, so you just don’t see stuff like this here. 

The seller had broken some of the bunch into lots of two to three thousand cards each. No thanks, I’m not a hockey collector. But there were also a couple dozen binders full of cards being sold one by one.

These binders were being sold for 1000 Yen ( about 7 bucks) each and caught my eye. Not for the cards, but for the binders themselves. They were all pretty good quality binders and each had about 60 to 70 ultra pro sheets in nice condition in them. Buying those on their own would cost several times more than that, and I realized what a bargain these were. And right now Ultra Pro sheets are somewhat hard to come by here in Japan. So I bought five of them.

I chose the binders not based on the cards, but by looking at the photos and judging which ones had the most Ultra Pro sheets in them. I now have several thousand cards from the 1990-91 Upper Deck and Bowman (ugly) sets and the 1991-92 Upper Deck, OPC and Pro Set sets. I am in the process of removing them from those pages. This is an annoying and time consuming task. But it is worth it, since this allows me to do some long overdue bindering of some of my vintage Menko and Calbee sets.

This is so great. In one fell swoop I have enabled myself to binder so many sets that until now have been scattered about in random boxes. Which was just wrong.

I only have two problems now. One is the massive pile of junk hockey cards that are now in my possession.  Space for cards is already at a premium in my house and these are simply going to have to go, but I have no idea where. These cards were available for sale on Yahoo Auctions in nice binders for almost nothing for months with no takers until I came along, so selling them or even giving them away is going to be a long shot. I have to give some thought to that. If I was these cards, I would be feeling very apprehensive each time cardboard recycling days in our neighborhood come along.

The other is that while all these binders and pages are top quality and in nice shape the binders all say “Hockey” on them. There is no rule that says you can’t put baseball cards in a hockey album of course, but  its one of those inconsistencies that is going to nag my brain every time I see them. I’m a bit of a cheapskate when it comes to supplies though so this is something I’m willing to live with.

Mr. Tigers

 

After a fairly lengthy drought I was finally able to pick up some cool vintage menko the other day, from the same seller in Hiroshima who was selling 1970s Carp children's shampoo.  

One lot that I couldn't resist, and which fell within my price range, was a three card lot of menko of hall of famer Fumio Fujimura.  

Fujimura is an interesting figure in Japanese baseball history.  He played his entire career for the Hanshin Tigers from 1936 until 1958.  That meant that his playing career encompassed both the very first season of professional baseball in Japan, and also the rookie season of Shigeo Nagashima.  

He was a kind of Shohei Ohtani type talent in that he was both a dominant pitcher and a dominant hitter (something that was more common in the early years of Japanese baseball).  On the mound he posted a 34-11 record with a 2.43 career ERA, most of which occurred in the first half of his career.  

His batting was where he made his biggest mark though.  In 1950 he led the league with a .362 batting average and collected 191 hits to set the Japanese version of George Sisler's single season record.  It was Fujimura's record that Ichiro broke when he had his 210 hit season for the Blue Wave a few years before he broke Sisler's record with the Mariners.

Like many Japanese players of his generation a very large chunk of Fujimura's prime years were stolen by the war.  He entered military service in 1939 and spent most of the war in southeast Asia.  He was present at the fall of Singapore and, if his account is true, was the first Japanese soldier to spot the British raising the white flag.  Other wartime exploits of his include falling off a cliff in a jungle and suffering an injury so bad they almost amputated his leg, and having to spend a day swimming through shark infested waters after surviving the sinking of a transport ship that had been torpedoed.  

Towards the end of his career he served as player-manager for the Tigers.  Though the team played well under him he seems to have had a "difficult" relationship with his players. In 1956 a group of them, led by Juzo Sanada and Masayasu Kaneda, demanded that Fujimura be replaced as manager.  The team sided with Fujimura, who kept his job, and the incident seems to have ended Sanada and Kaneda's playing careers.

The Fujimura cards I have are pretty cool ones.  I particularly like the two round ones which have very striking and colorful artwork on them.  I'm having trouble identifying them as they both seem to be from uncatalogued sets.  The one pictured at the top of this post has a kind of "bullseye" background on it and there are two similar sets listed in Engel (JRM 47 and JRM 52, from 1948 and 1949 respectively).  The coloring and design on those are slightly different though, I haven't seen any with a red and yellow bullseye before.  The other circular one has a quite striking look to it, but it is unlike any round menko listed in Engel's guide.

The rectangular one in contrast is easier to identify, its from JCM 92, issued in 1948.  The artwork is a bit cruder than on the other two but I like it!

Intriguing Baseball Menko

 

A rather intriguing pair of uncatalogued baseball menko sold on Yahoo Auctions the other day.  They appear to depict an unidentified player in a Keio University uniform standing in front of a couple of trophies. 

What is intriguing is not the player or the trophies, but rather the text on the banner below the trophies.  It says, in English:

BB Team 

1919

From 

Seattle Japan

There are two confusing things about this: the year and the geography.

Keio University did indeed have a team in 1919, but it obviously isn't from "Seattle Japan".  I'm not sure if they might have visited Seattle (er, the American Seattle, not the non-existent Japanese one) on some sort of tour in that year (seems unlikely as that was smack dab in the middle of the Spanish influenza pandemic), but perhaps someone with more knowledge than me about Keio's history might know?

Also, there is a question of whether this card itself was made in 1919 or if it was made later and just purports to depict something that happened in 1919.  If it really was made in 1919 then this would be a very significant find - the oldest Japanese baseball cards listed in Engel date from a decade later in 1929, making this perhaps the oldest Japanese baseball card ever made.  

Looking at the cards though I have my doubts that they actually date from 1919.  The style, both front and back, look very similar to menko sets from the 1930s and late 1940s/early 50s.  I've seen non-baseball menko that were made before the 1930s and they look nothing like this, featuring very crude artwork using more rudimentary printing processes rather than the detail depicted on this.  Also I doubt that menko produced in 1919 would have featured English on them.  The only menko I know with English writing on them date from the late 1940s to early 1950s, during the post-war US occupation period. 

Despite these issues the seller listed them with a description which strongly suggested they dated from 1919.  The bidding on these went fairly high, suggesting that the buyer might have also thought they dated from that year.  

They sold for 45,000 Yen (about $350 US), way more than what most menko featuring generic players go for.  This is certainly an intriguing card, but I wasn't willing (or able) to go anywhere near that high in bidding on it.  

1947 JRM 30 Menkos

 

For the first time in a very long time I was able to add some new vintage menko to my collection. These cards are from the set that Engel catalogues as JRM 30 and dates to 1947.  They are identifiable mainly by the little diamond with a triple K in it, and also by the way the text is contained in curved rectangles on the sides.

Engel has catalogued twenty cards in this set, which he rates an R4 (fewer than 10 known copies of each card in existence), so its possible there are more.  As you can see, I have eight of them, including some HOFers like Shigeru Chiba and Fujio Fujimura.

One thing I like about the set is that though crude the artwork is far superior to the photography in contemporary Calbee sets.  You've got players in a variety of poses, doing a variety of things against a variety of backgrounds.  Quite refreshing compared to the monotony of all photos on modern Calbee cards being more or less carbon copies of each other.  

The people who made this set were doing so in a Japan that was economically devastated, suffering from widespread malnutrition and whose cities had just been reduced to rubble by a massive bomber campaign just two years earlier.  If they could make an interesting set in those conditions, Calbee today really has no excuses.

Anyway, the reason I haven't added many vintage menko to my collection these days is simply that the explosion in prices in the US card market has spread to Japan and I've been priced out of the market on most of the stuff that comes up on Yahoo Auctions for the past 18 months or so.  Its been frustrating because there has been a lot of stuff come up for sale that I would have been able to snap up back in 2020, but which these days easily sell for 5 times more than what they used to, sometimes more.  These ones somehow slipped through the cracks and didn't get much attention, so I was able to pay 2020 prices for them.  This might be the last addition to my menko collection for a while, barring either a complete collapse in the market or me winning a lottery (which is a particular long shot since I don't buy lottery tickets).

Also, since I mentioned Engel's guide I should mention that he recently put out a 3rd edition which I recently purchased.  If you collect vintage Japanese cards I'd say it is worth picking up the new edition, he's added a fair number of new cards to it (and if you don't have the old edition you absolutely should get it). 

Turning the blog on again

 

I've been away from the blog for a few months.  Things have just been too busy for hobbies!

In addition to that though, the sky-high prices on cards have also kind of dampened my enthusiasm for collecting over the past year or so since I am finding myself being priced out of more and more of the sort of stuff that I used to really like to collect.  Menko?  Nope, too expensive?  Vintage Calbee?  Well, I can still afford some of that but nowhere near as much as I used to.  

So my collecting goals for this season are a bit more modest than they used to be.  1970s and 1980s Calbees are probably going to get the lion's share of my attention, menko and stuff like that not so much.

That said, I did manage to recently pick up a cool menko card that I'm quite fond of and, since every post needs a baseball card to go with it, here it is.  A 1961 Maruya (JCM 57a) card of Hanshin Tigers HOFer Minoru Murayama.  This was in a lot of 10 menko on Yahoo Auctions that kind of flew under everyone's radar a couple of weeks ago and I was able to snag it cheaply.  I really love the colorful background on this card, its one of the more attractive ones out there.  

Anyway, hopefully I'll be able to get back into baseball cards again (particularly in light of the title of this blog) and post some more!

I'm still alive!

 

I stepped away from the blog for three months there.  Everything is good!  Its just that my day job is one of those ones where after years of work your employer subjects you to a months long process the outcome of which is that you either end up with a guaranteed job for life on the one hand, or they let you go and your whole career is over in an instant on the other.  No pressure, ha! Anyway, I'm going through that now so I've stepped away from the blog because I'm too busy, but I've found a few spare minutes and thought I'd devote them to a little update post. 

Despite being busy, I'm still collecting, albeit at a lower rate than usual.  Here are a couple of updates on stuff with my collection.  

1975-76-77 Calbee Monster

Last week I picked up 7 more cards that I needed for my monster 1975-76-77 Calbee set, including the Sachio Kinugasa card (#510) pictured above.  These are the first additions I've made to that set all year and I'm really psyched about finally being able to fill in a few more pockets in those binders. 

My progress on the set has slowed to the crawl over the past couple years, something I've moaned about in previous posts.  The problem is that I've basically picked over what all the established dealers have for sale and so now I'm just waiting and pouncing on new listings, which only come up occasionally.  If you look on Yahoo Auctions at any given moment there are usually more than 2,000 listings for cards from this set so you might think it would be easier.  But that is for a set with 1472 cards, and most of those listings are of cards from a few of the easier to find series so there is heavy duplication of some cards and none for most of the others.  Within those 2,000 plus listings there are probably only 500-600 or so different cards available from that set, and the other 900 or so just don't come up for sale that often. 

I can also tell that I'm not alone in this situation because I'm always getting into bidding wars on those cards when they pop up, even for common cards in common series which just coincidentally happen to not be in any other dealer's inventory.  

The Menko Collection

My menko collecting has kind of fallen off a cliff recently just because of a recent market trend that  economists refer to as "Holy crap when did everything get this damned expensive???"

Basically the market has exploded here like it has in the US.  I think there was a bit of a lag and vintage cards didn't really start skyrocketing in price until a few months after they had in the US, but its happenned here too.  So while I'm still bidding on stuff that I would have won easily a year or two ago, nowadays I find myself getting blown out of the water and not even coming close to the winning bid on anything.  Especially Sadaharu Oh stuff is just no longer attainable in my price range, so I'm glad I knocked a lot of his cards off my want list when they were (though there are still a lot out there I would like to own!)

Anyway, that is my update. In all honesty I'm probably not going to have enough time to resume blogging at my normal rate until the above mentioned work thing-y is resolved, which won't be until later this year.  I'll try to find a bit of time here and there to post updates though, I find that my collection doesn't really feel complete without it being  blogged about!  

The REAL Hall of Fame Collection Bottleneck

 

A few days ago I wrote a post about how certain hall of famers, particularly those with exclusively pre-war careers, have very few cards of them and thus present a major obstacle to anyone trying to put together a collection of career contemporary cards of Japanese Hall of Famers.

Excluding Eiji Sawamura (who has no known cards) probably the most difficult player to get is Tokichiro Ishii.  Ishii was a star hitter for Waseda University in the 1940s and was also later a manager of the team.  He was elected into the Hall of Fame in 1995 and is notable as only the second player to enter the hall without any professional baseball experience ( the first was former Meiji University star Kichiro Shimaoka in 1991).

Because he never played professionally, Ishii doesn't appear in any of the professional player card sets of the late 1940s.  University stars featured prominently in the menko sets of the 1929-1931 time period (which pre-dated the establishment of a professional league), but he was too young to appear in any of those either.

There is exactly ONE set of cards which he does feature in, which is the 1948 Big Six University set (JRM 44).  The above is his card in that set, the only card of him ever made.

Unfortunately for Hall of Fame collectors, its a rare one - Engel lists it as R4, meaning that fewer than 10 copies are known to exist.  One hasn't appeared in a Prestige Collectibles auction in over a decade!

So while I'm not actively pursuing a Hall of Fame collection, I'm glad to have this one in my collection!

1948 Baseball Source

These are ten cards from the 1948 set Engel calls "Baseball Source"  (JCM 103).  I think they are called that based on the text on top of the back, which means the same.  

Its a pretty colorful set with some simple artwork as you can see.  My cards aren't in the best of shape but its a pretty rare set (R3) so they are the best I've been able to find!

 The baseball source on the back is the floating head in the upper right hand corner who asks a trivia question, the answer to which is the player on the front of the card.  So for Toshio Kawanishi's card for example it asks who the Hawks fastest runner was on the back.

These cards were part of a small pile of menko I recently picked up and on sorting them out I discovered that Engel's checklist of the set is incomplete.  Three of my cards aren't on it: Hisanori Karita, Michio Nishizawa and Shigeru Chiba (all three of them Hall of Famers).  So you can add these to the 15 listed in the guide.

The key card to the set is Victor Starffin which, unfortunately, I don't have.  But with the addition of these three to the known checklist that means there are 18 cards in this set (possibly more), and with ten so far I'm more than halfway to completing it.  

The Only Copy of the Only Card of This Guy Ever Made

 

In my previous post I talked a bit about this pre war menko I recently acquired. I identified it as  Kenjiro Matsuki on the grounds that the card says "Matsuki" and he was the only player with that name which I could find from that era, and the the fact that he wore glasses and looks quite a bit like the player depicted in the image.

What confused me though was that the card also clearly says Waseda University (the kanji on the right hand side of it), which Kenjiro Matsuki never attended (he went to rival Meiji University). I chalked this up as an error.

Then Prestige Collectibles contacted me on Twitter and pointed out that there was actually another guy with the same last name, Yoshio Matsuki, who was recorded on Waseda's roster from the same period (these rosters aren't available online, he literally had to look that up in an old paper copy - old school research is the best!).  So in all likelihood the card was not an error, but simply featured a different Matsuki!

I appreciated the work that went into tracking him down since  unlike Kenjiro Matsuki (who went on to play professionally and ended up in the Hall of Fame) Yoshio Matsuki is a pretty anonymous guy.  He never played professionally and Google searches for anything about him in Japanese turn up zero information.  Other than the fact that he was a pitcher for Waseda University between 1929 and 1933 we don't know anything about this guy.  I can't even find out if he wore glasses!

In some ways this makes this card even neater - its got to be the only card of this guy in existence.  I mean that literally, there is just one known copy of this one card of this guy who we basically know nothing about!  This is not something you can say about many cards!

Also I like the fact that I have a 100% global monopoly on Yoshio Matsuki cards, so anyone trying to collect this guy has no choice but to go through me.  I'm both literally and figuratively holding all the cards in any negotiation with such person were they to ever exist.  Ha.  Makes me feel very special :)

The Pre War Hall of Famer Card Bottleneck

 

A couple of weeks ago I did a post about my big find of a menko from the 1931 Major League All Star tour of Japan.  In this post I'd like to introduce in more detail the other two big cards which I got in the same lot, which are pretty major finds on their own.

Both of these cards feature important pre-war Hall of Famers - Minoru Yamashita on the left, Kenjiro Matsuki on the right.  Nick, who has a really excellent player collection of Japanese Hall of Famers that he has detailed his collecting of here, commented on my earlier post  that the toughest hurdle for anyone trying to pursue such a collection is guys whose playing careers were entirely before the War.  For guys who started their careers before the war, then resumed them in the late 1940s (like Tadashi Wakabayashi) its not too hard to find cards of them since they appeared in menko sets from the late 40s and early 50s which, while not plentiful, can still be found.

With the exclusively pre-war guys though it becomes a big headache.  Famously Eiji Sawamura, Japan's most beloved pitcher from the early days and for whom NPB's version of the Cy Young Award is named, has no known surviving cards from his playing days (which were entirely before the War in which he died).  But even for the guys who have known cards they only exist in sets where maybe 4 or 5 copies of each card survive.  

None of the sets from the 1930s survive in any quantity today, so there is a huge bottleneck in terms of supply of cards of players who only played in that decade (or before).  I'm not sure why that is.  One explanation is that there simply weren't too many of them produced to begin with.  Cardboard menko were still relatively new back then and maybe they just didn't catch on much with kids.  Notable support for this explanation is to be found in the fact that there aren't any known sets from the mid to late 1930s, all of the known ones seem to have been made between 1929 and 1931, then there is a huge gap until after the War.  If the kids didn't buy them, then they wouldn't have made too many and given up on the idea.  

A second possibility is that lots of them were made, but most were destroyed during the firebombing of Japanese cities.  This explanation suffers from a couple of problems though.  One is that Japan wasn't anywhere near as urbanized in the 1940s as it is now, so most of the population back then lived in the countryside or smaller towns that weren't bombed.  So if the cards were roughly evenly distributed around the country according to where people lived, then only a fraction of them would have been destroyed in the bombing, unless they had only been distributed in major cities (which is possible, but not certain).  Another problem is that this explanation doesn't explain why only cards from prior to 1931 survive.

A third possibility is that a lot of cards were made, and few were destroyed by the bombing, but most were recycled.  During the War the government organized major recycling drives to suck up all the resources they could for the war effort.  This mainly focused on metal, but also included paper and cardboard.  Perhaps they were all turned into carboard boxes or something.  A problem with this explanation though is that lots of other things made of cardboard and paper (like books and postcards) survive from that era, so the recycling programs don't seem to have gobbled up too much (and menko are so small they likely wouldn' t have bothered). 

A fourth possibility is the American one - everyone's mom just threw them out!

A fifth possibility is that the government may have actively suppressed baseball menko specifically.  The main piece of evidence supporting this is the fact that the gap that exists in the baseball card archeological record between 1931 and 1947  is not replicated in the Sumo card record. This can be seen from the many examples of sumo menko sets from that time frame that SumoMenkoMan has recorded.  The gap in baseball menko notably coincides with the rise of nationalist fascism in Japan and the deterioration of its relations with the US which led to the war.  Being associated with America, the government may have discouraged the production of baseball menko while encouraging (or at least allowing) the production of sumo menko since that was a Japanese invention.  

A sixth possibility is that all five of these are correct to varying degrees and each of these factors contributed to the paucity of pre war cards.  I think this is the most likely explanation.

Anyway, the reason I bring this up is because one of these guys, Yamashita (above), had an exclusively pre-war playing career.  He was a star with Keio University in the Big Six league, where he led the league in batting average in 1929.  This card features him during his Keio days so probably dates to around then.  He played against both of the Major League All Star teams in 1931 and 1934, then joined the newly formed Hankyu team for the 1936 season.  He hit the first home run in Japanese professional baseball history that cleared an outfield fence in his first year.  He played with Hankyu until 1940, then played a single season with Nagoya in 1942, his last as a player.  He worked as an umpire after the War and was elected to the Hall of Fame in 1987.  

Yamashita only appears in a handful of extremely rare pre-war sets (JRM 43, JCM 46, JCM 60, JCM 144) all of which have a rarity factor of R4 or R5 (meaning fewer than 5 or 10 copies of each are known to exist) so he is one of the hardest hall of famers to land a card of.  

The other card features Kenjiro Matsuki, who was also a university star who went on to play  in the newly formed pro league from 1936.  His professional playing career with the Tigers was almost entirely pre-war, but he did very briefly appear in the 1950 and 1951 seasons (11 games combined between the two).  He doesn't appear in most of the post-war sets except one: the 1950 JCM 21 Babe Ruth set, which is a lucky break for Japanese Hall of Fame collectors.  This set is designed like playing cards and gets its name from the fact that it has a Babe Ruth card in it.  Its actually one of the easier to find sets from that era, with a sizeable number still existing as uncut sheets, so most people who want a Matsuki card can get one from that set without too much difficulty.  He also appears in some (though not all) of the same extremely rare pre-war sets that Yamashita does.  

This card of mine is really interesting as its actually an error card.  The kanji on the left definitely say "Matsuki" (松木）and the player image is definitely him (he was one of the first Japanese players to strike that signature look with glasses).  But the kanji on the right  (早大)　denotes Waseda University.  Likewise the lettering on his uniform is a bit hard to read but seems consistent with "Waseda".  

The problem is though that Matsuki never played for Waseda.  He went to school at rival Meiji University and played for them in the Big Six league.  

So that is kind of neat!

Given the similarity in art style, size, players depicted and inks used I would say these are both from the same set, which is not yet catalogued and thus these seem to be the only known copies of each. They are a pretty big addition to my collection even though I'm not actively working on a Hall of Famer player collection.  

Yoshio Tanaka has an Odd Story

 

I picked up a couple of cards of Yoshio Tanaka (from the 1958 JCM 54 set and  the1959 Yamakatsu set JCM 33g ).  Tanaka is an interesting figure in Japanese baseball history who I was surprised to find doesn't even have so much as an English language Wikipedia entry.  Which is odd because his story seems kind of really out there.  If you'll oblige me, I'd like to lay out the basics of what I've been able to glean about it from the Japanese internet here.  

He was an American, born and raised in Hawaii to parents who had immigrated from Hiroshima.  He played baseball in high school and at the University of Hawaii, but never professionally in the US.  After graduating from university he became a high school teacher in the early 1930s and it looked like he would just have a normal life as a high school teacher in Hawaii.

Then one day fellow Hawaiian and future Hall of Famer Tadashi Wakabayashi, who went to McKinley High School with Tanaka and had gone off to Japan to join the newly formed Tigers team in 1936, invited him to join  the team.  

According to his Japanese Wikipedia page there seems to be a bit of debate about what drove Tanaka to quit teaching and accept that invitation.  One  version of the story is that due to the deteriorating relationship between Japan and the US at the time Tanaka would have had to renounce his Japanese citizenship (he held dual nationality) in order to continue his teaching career, something his  mother was staunchly opposed to.  So he had to quit teaching to maintain his dual nationality, and playing baseball was just the job that came along.  The other version is that he wanted to marry a girl that his mother did not like at all and he came to Japan mainly so he could be with her, with baseball just being the gig that allowed him to do so.  

Either way, he came to Japan and joined the Tigers in 1937 and played with them through 1944.  

Talk about an awkward time for an American to be starting a career in Japan!  

Here is one thing I can't wrap my head around about his story.  His playing career ended in 1944 partly because the 1945 season was interrupted by the war and partly because he was drafted.  But what I can't figure out is into which country's military?  His Japanese Wikipedia page just says he was drafted into military service, so you'd assume that meant Japan's because he was in Japan at the time.  But this article from Monthly Hanshin Tigers says he was drafted into the American military!  

How was that even possible?  I figure this must be a mistake since it makes no sense at all, but still, wouldn't that have been a conversation stopper at the dinner table at the time if it really went down like that? (edited to note: per NPB Guys' comment below, he was definitely not drafted into the US military!)

His playing career wasn't really star calibre, though he was known for his nickname (Kaiser) and the fact that he was the only catcher in NPB until Atsuya Furuta came along decades later to wear glasses.

After the war he worked for the American military in Japan for a few years, before coming back to baseball in 1954 as a coach for the Tigers.

Then in 1958 he achieved his claim to fame: he became the Tigers manager and thus the first foreign manager in Japanese history.    He lasted two years in the role, in both of which the Tigers had winning records but did not make the Japan Series.  He was the manager of the Tigers during their legendary game against the Giants on June 25, 1959 which was the first ever attended by the Emperor (which his team lost).  

My two cards above come from his tenure as Tiger skipper.  He coached for a few other teams in the early 1960s and spent the rest of his life in Japan, passing away  in Tokyo in 1985.  

The Golden Days of Japanese PItching

 
I picked up another pile of late 50s menko the other day.  I got a little over 50 cards including the five above, which each feature one of Japan's greatest all time pitchers.  It got me thinking that Japan's amazing pitchers from that era tend to get a bit overlooked relative to the dominant hitters like Sadaharu Oh who are more well known.  

In the same way that guys in MLB in the 19th or early 20th century put up insane stats (511 career wins, 40 plus wins per season, etc), NPB had some insanely dominant pitchers back in the 50s and 60s.  Back then the best pitchers basically threw until their arms fell off (as they sort of still do, though to a much lesser extent).  This meant that a lot of them suffered career ending injuries early on, but also that for the few who survived they amassed some incredible career and single season records.

Check these guys out:

Masaaki Koyama won 323 games (3rd all time) in a career lasting from 1953 to 1973.  His career ERA was 2.45. He won 20 or more games 7 times, and won 30 in 1964.  In addition to being 3rd on the career wins list he is also 3rd on the career strike outs list.

Masaichi Kaneda won 400 games in his career, the most of any NPB pitcher.  He compiled an amazing 14 consecutive seasons with at least 20 wins, including a 31 win campaign in 1958.  His career ERA was 2.34. He is also the NPB career strikeout leader with 4,490.

Minoru Murayama compiled a 222-147 career record with a miniscule 2.09 career ERA in a relatively short career between 1959 and 1972.  He won three Sawamura awards, including in his 1959 rookie season when he led the league with a remarkable 1.19 ERA

Shigeru Sugishita was a remarkably dominant pitcher for a 6 year stretch, kind of like Sandy Koufax in the US.  From 1950 to 1955 inclusive he never won fewer than 23 games, and broke the 30 win mark twice in that stretch.  He won 215 games in his career and finished with a 2,23 ERA.  

Tetsuya Yoneda doesn't get anywhere near enough attention.  He won 350 games in his career between 1956 and 1977, almost entirely with Hankyu.  He had eight seasons with more than 20 wins.  He never won 30 games, but came close in 1968 with 29.  Like Kaneda (and in fact, most of these guys) he played for some weak teams so he also ended up accumulating some bad stats - 285 career losses (2nd to Kaneda), and due to his lengthy career he also holds the record for most hits and runs surrendered.  And while his 2.91 career ERA would be insanely impressive in MLB, its noticeably higher than the other four guys in this post.  

I don't think any contemporary pitchers will approach what these guys did in NPB, partly because of the emergence of 5 man rotations and relief pitchers, but  more so because the best pitchers in Japan get skimmed off the top and sent to MLB for a few of their prime years, which dents their ability to come close to these guys.  Hideo Nomo, Yu Darvish, Kenta Maeda, Masahiro Tanaka and Daisuke Matsuzaka (to name a few) might have put up similar career numbers (albeit with higher career ERAs) had they stayed, but until NPB finds some way of retaining its top players rather than selling them off guys like that aren't going to stick around long enough.  

Cards you can Wear

 

I think these are two of my favorite cards in my collection. They are from the 1949 set catalogued as JDM 2 in Engel and feature Hall of Famers Kaoru Betto and Hiroshi Oshita. 

They are die cut mask cards which kids could wear on their faces.  The eyes are perforated and can be punched out, and there are little notches on each side near the ears where you can attach a string.  These are a bit easier to see from the back:

The size of the cards are a bit bigger than standard so while these would be very small on me, they might fit OK onto the head of a five year old.

Mask cards were a thing for a brief time in Japanese baseball card history, 5 different sets including this one (which contains 8 cards total) are known and all were issued either in 1949 or 1950.  After that they seem to have fallen out of favor.

The artwork on the cards from this set in particular is quite impressive, the images are much more realistic than what you find on any menko cards issued from that era.  

Pretty much all of the mask cards are quite rare.  This set is listed as R3 (fewer than 100 copies known) while some of the others are harder still.  

This might relate either to them being less popular among kids, or them being very popular among kids but also very fragile for a mask (the thickness of these is about the same as a regular baseball card).  I can't imagine these would have lasted long if a kid actually put them on.

If you think about it though baseball players are kind of an odd choice for a mask.  Watching my own kids they love to dress up in costumes and pretend to be various characters (characters from the Super Mario universe are their favorites these days).  When they do so they like to engage in play that involves doing whatever those characters do.  

My kids aren't really into baseball, but if they were I couldn't see them putting player masks to the same use.  If they want to pretend to be a baseball player, they'll do that by playing baseball.  If they are playing baseball, a mask like this is going to be a major hindrance.  The two activities are mutually incompatible and thus the kids would have little use for these.  

So while not great as a toy from a kid's perspective, they are SUPER AWESOME AMAZING from the perspective of a baseball card collector 70 years after they were made.  

Flying Bats

 
I have a few cards from the 1950 Kagome "Flying Bats" set (JCM 5).  It is so called thanks to the artwork on the card backs:

I'm not really sure where the idea to put wings on the bats came from, but for Japan its not too odd a thing to find.

The cards are kind of neat to look at.  They feature bright colors yet have an overall dark look thanks to the thick outlines used by the artist.  They also have some odd spellings for player names.  The guy named "ZA" for example is Atsuhi Aramaki. I have no idea why they call him Za.

This set is notable for featuring the rookie card of Masaichi Kaneda, probably Japan's all time greatest pitcher with 400 career wins.  I haven't been able to add that one to my collection yet though.  Its on the top of my want list though.  Unlike other big names like Shigeo Nagashima and Sadaharu Oh, who had dozens of rookie cards, Kaneda didn't appear on many in his rookie season so this is probably his "key" card out there.  

This is a Truly Amazing Discovery

 

I made a really major find the other day.  Probably the biggest find I will ever make.

The above card featuring Hall of Famer Frankie Frisch is the only known surviving copy of a menko from the 1931 Major League All Star Tour of Japan. 

Until today nobody knew this existed (well, at least the internet did not know it existed).

In 1931 a group of Major League all stars did a 17 game tour of Japan.  It featured some of the biggest stars of the time - Lou Gehrig, Mickey Cochrane, Lefty Grove, Al Simmons, Lefty O'Doul, Highpockets Kelly, Rabbit Maranville and Frankie Frisch to name a few.  The 1931 tour isn't quite as famous as the follow up 1934 tour which added Babe Ruth to the lineup, but still it was an impressive team.

Until now there were two known extremely rare bromide sets released to commemorate the tour, which Engel catalogues as JBR 105 (put out by a company called Yuasa) and JBR 106.  These feature some of the big name American players (JBR 106 also features some of the Japanese players who faced them).  There are fewer than 5 known copies of each card in both sets so for each of those the card is probably the player's rarest in the world.  I can't imagine what a Gehrig from one of those sets would go for if one ever came up.  Rob Fitts wrote a good article about them a few years ago which you can read about here.  

The thing is though, while those bromides have been known no menko sets from the tour (or the 1934 tour for that matter) had ever been discovered. 

That was the case until a few days ago when an antique dealer from Yamagata put up a small lot of four pre-war baseball menko for sale on Yahoo Auctions.  His father, who was born in 1925, had collected menko as a child in the 1930s and these had been in their possession ever since (most of the menko were non-sports, being sold in a seperate lot).  

This was the lot photo here:

Neither the title nor the description of the lot identified it as containing the card of an American Hall of Famer.  The dealer had no idea what they were and just listed them as rare pre-war menko featuring baseball players.  

When I first saw the image I ignored the Frisch since I had no idea what it was and instead focused my attention on the two on the bottom.  These feature two prominent Japanese Hall of Famers from the 1930s -  Kenjiro Matsuki and Minoru Yamashita - during their university days (the card in the upper right corner is a generic one and not of much value).   These were pretty decent finds in their own right- they don't seem to be in any catalogued set either.  I'll probably do a post about them in the future.

So I bid on the lot on the basis of those two.  But as the auction ran my attention turned to that menko in the upper left corner.  Who was that?  Looking at it more closely I realized that it was a foreigner, and after doing a bit of research I realized he was wearing what looked to be a uniform from the 1931 tour!

This really piqued my interest and I upped my bid accordingly.  This lot was not going to get away from me.

My first thought was "WHOA- is that a Lou Gehrig card?"  It was a bit hard to see his face in the scan, but I could tell enough to determine that it wasn't Gehrig.

I started combing the internet for pictures from the 1931 tour hoping to find the original so I could identify the player.  Eventually I discovered this:

Bingo! This is Frankie Frisch's card from the JBR 106 set which sold in a Prestige Collectibles auction 12 years ago.   The photo was identical, I had found the player!  And Frankie Frisch is, while not quite Gehrig, still a pretty damn good Hall of Famer if there ever was one.

I think this menko find is really exciting news not just because we have another Frisch card, but because of what else it indicates might be lurking out there.  Did they make menko for other big name players from that tour (like Gehrig and Cochrane) or from the 1934 tour (which had Ruth)?  If so, did any of them survive, or is this Frisch the last one in existence?

I'm very excited with this discovery and will be paying WAY more attention to every single card that shows up in a big lot of pre-war menko from now on to see if I can answer any of these questions. This is what I really love about collecting Japanese vintage cards, it makes you feel like an archeologist finding interesting new things sometimes.

Anyway, this Frisch card is now the new centrepiece of my collection.

Baseball Card Prices are Getting Crazy in Japan Too

 

I've been reading a lot about how baseball card prices in the US have exploded over the past year on various forums, blogs and social media.  It was kind of weird, as the economy crumbled and millions lost their jobs, the price of cards went up.  

The same thing has happened here in Japan as I've kind of alluded to in a few posts.  Prices just ain't what they used to be.  One auction I was following which ended yesterday really drove that point home.  It was for the above lot of 151 menko from the 1950s and early 60s.  

This was a pretty amazing lot actually.  Most of the cards weren't too hard to find, but the highlight was a big lot of 1962 Tachibana Seika (JF 31) cards, these ones here:

This is an extremely rare set, Engel lists it as R4, meaning that fewer than 10 copies of each card are known to exist.  I don't have any cards from it in my collection, they almost never turn up in auctions, let alone a lot this size.

There are three key cards in this set:  Sadaharu Oh, Larry Doby and Don Newcombe.  The Doby and Newcombe cards are of particular interest since they played only briefly in Japan and only appear on a couple of cards, and this set basically has their "key" Japanese cards.  The Newcombe in particular Engel says is even rarer than the rest, giving it an R5 designation (fewer than 5 copies known).

This lot had not one, but two copies of that Newcombe.  See if you can spot it in the picture.  It also had doubles of the Oh card, but no Doby.

There was an absolute feeding frenzy that played out last night. On Yahoo Auctions there is no sniping, if someone enters a new high bid on something with less than 10 minutes left on the clock the system automatically adds 10 minutes to the auction.  Several bidders kept outbidding each other which had the cumulative effect of adding hours to the auction. I was up late watching, its almost like a spectator sport.  It was way out of my price range so I wasn't in the race.

They ended up putting in 173 bids and driving the price up to 341,000 Yen, or about 3400$ US (plus 210 Yen for shipping). 

This was probably a good deal given how valuable just the Newcombe cards alone are, if I had that kind of money I might have even been tempted to push it a bit higher.  Probably to Americans this price seems pretty modest given the gobsmacking insane prices high end stuff there are going for these days, but for Japanese vintage this is a big deal.  341,000 Yen I think is a lot more than what this would have gone for a couple of years ago and a good piece of evidence that the same trend going on in the US is going on here too, albeit not to the same degree.  

New Menko Discoveries

 

I added a couple of interesting new menko to my collection last week.  These are two cards from a previously unknown set featuring players from the Big Six University league in the late 1940s.  

On the left is Kouzou Goi, a pitcher for Rikkyo University.  He was a star in his university days, and followed that up with a brief four year pro career from 1950 to 1954 with the Kintetsu Pearls (a descendant of today's Buffaloes) in the Pacific League.  Interestingly he split his time as a pitcher and a third baseman, putting in significant time at both as an early version of today's Shohei Ohtani.  Unlike Ohtani though, Goi never really shined in pro ball, posting a lousy 17-31 career record on the mound and a .258 career batting average at the plate.  

The card on the right features Toshinobu Sueyoshi pitching for Waseda University.  Like Goi he was a university star who followed up with a short and not very impressive pro career, turning in three seasons with the Mainichi Orions (a descendant of today's Chiba Lotte Marines) from 1952 to 1954, posting an 8-12 career record (though he did make the All Star team in his first season).  As you can see from the picture, he threw side arm.  

Its actually quite refreshing to find old menko of guys like this who were basically "commons".  Since most of the menko sets from the late 40s/early 50s contained maybe 20 cards tops, their checklists tended to be made up of guys who were future Hall of Famers (or at least Hall of Very Gooders) and you almost never find cards of journeymen pitchers with losing career records.  These guys squeeked into one on the basis of their university days, which is pretty cool. 

It goes without saying that this set is rare, the copies I own of these two cards seem to be the only ones known.  So now we have a checklist of 2, I'm assuming there were more made.  Given the overlap of their university careers, the set would have to date from between 1947 and 1949.  

And as with most sets from this era, I love the artwork on them.